Expanding Boundaries: Lyrical Abstraction Selections from the Permanent Collection

Jun 10 - Aug 30, 2009
Boca Raton Museum of Art

In the long and rich evolution of abstraction in the 20th century, Lyrical Abstraction arose in the 1960s and 70s, following the challenge of Minimalism and Conceptual art. Many artists began moving away from geometric, hard-edge, and minimal styles, toward more lyrical, sensuous, romantic abstractions worked in a loose gestural style. These "lyrical abstractionists" sought to expand the boundaries of abstract painting, and to revive and reinvigorate a painterly "tradition" in American art. At the same time, these artists sought to reinstate the primacy of line and color as formal elements in works composed according to aesthetic principles - rather than as the visual representation of sociopolitical realities or philosophical theories.

Characterized by intuitive and loose paint handling, spontaneous expression, illusionist space, acrylic staining, process, occasional imagery, and other painterly techniques, the abstract works included in this exhibition sing with rich fluid color and quiet energy. Works by the following artists associated with Lyrical Abstraction will be included: Natvar Bhavsar, Stanley Boxer, Lamar Briggs, Dan Christensen, David Diao, Friedel Dzubas, Sam Francis, Dorothy Gillespie, Cleve Gray, Paul Jenkins, Ronnie Landfield, Pat Lipsky, Joan Mitchell, Robert Natkin, Jules Olitski, Larry Poons, Garry Rich, John Seery, Jeff Way and Larry Zox.


Paul Jenkins' "A Sound of Surf" at the Boca Raton Museum of Art

PAUL JENKINS (American, 1923- ), A Sound of Surf, 1970, watercolor on paper, 48 x 35 inches. Permanent Collection. Gift of Mr. and Mrs. Martin Lipton